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1 of 1 copy available
1 of 1 copy available
In the autumn of 1941, Amelia J. McGee, a young woman of Cherokee and Scotch-Irish descent, and an outspoken pamphleteer for the NAACP, hastily sends her daughter, Ella, alone on a bus home to Georgia in the middle of the night-a desperate measure that proves calamitous when the child encounters two drifters and is left for dead on the side of the road. Ella awakens in the homestead of Willie Mae Cotton, a wise root doctor and former slave, and her partner, Mary-Mary Freeborn, tucked deep in the Takatoka Forest. As Ella heals, the secrets of her lineage are revealed. Shot through with Cherokee lore and hoodoo conjuring, Glow transports us from Washington, D.C., on the brink of World War II to the Blue Ridge frontier of 1836, from the parlors of antebellum manses to the plantation kitchens where girls are raised by women who stand in as mothers. As the land with all its promise and turmoil passes from one generation to the next, Ella's ancestral home turns from safe haven to mayhem and back again. Jessica Maria Tuccelli reveals deep insight into individual acts that can transform a community, and the ties that bind people together across immeasurable hardships and distances. Illuminating the tragedy of human frailty, the vitality of friendship and hope, and the fiercest of all bonds-mother love-the voices of Glow transcend their history with such grace and splendor, they have the power to exalt the reader.
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    • AudioFile Magazine
      Tuccelli explores the bounds of race and community in the Blue Ridge Mountains from the mid-19th to mid-20th centuries. The story moves back and forth between loosely related characters whose racial lineages have some mixture of white, black, and Cherokee. Donna Postel gives a good performance overall, but the novel might have been better served by multiple narrators as Postel doesn't always make strong distinctions between the different time periods and characters. Consequently, the book has a slightly confusing and choppy quality. The audiobook also suffers from the fact that Tuccelli relies heavily on a family tree instead of textual clues to make familial relationships clear. J.L.K. © AudioFile 2012, Portland, Maine
    • Publisher's Weekly

      November 21, 2011
      In Tuccelli’s sweeping debut, mothers and daughters are fiercely tethered over six generations and beyond death. The novel, which spans the years 1836–1941, follows the female descendants of pioneer Solomon Bounds, whose family tree is crowded with slave owners and slaves, Native Americans, and the soldiers who drove them from their lands. After the home she shares with her mother, Mia, is vandalized on the eve of a civil rights protest in Washington, D.C., the youngest of Bounds’s kin, great-great-great-great-granddaughter Ella McGee, 11, journeys to her uncle’s home in Hopewell, Ga. On the way, she gets lost and lands in the care of Willie Mae, an elderly mystic and the wife of Bounds’s grandnephew. Meanwhile, Mia frantically searches for her daughter in Hopewell and finds a county whose rural idyll has been ravaged by the treacheries of slaveholders and the KKK. In intersecting narratives, Willa Mae, Mia, and Ella recount brutal traumas that gave them access to a magical spirit world of female ancestors. This elaborately woven plot serves the story well, peppering the novel with moments of lingering beauty and shocking violence. Though Tuccelli dances close to stereotypes of maternal piety, the complexity of her ghosts and her protagonists’ folksy charm help stave off sentimentality. Agent: ICM.

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